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Argentina
Painting, Oil on Wood
Size: 19.7 W x 23.6 H x 0.1 D in
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Realism is broadly considered the beginning of modern art. Literally, this is due to its conviction that everyday life and the modern world were suitable subjects for art. Philosophically, Realism embraced the progressive aims of modernism, seeking new truths through the reexamination and overturning of traditional systems of values and beliefs. Impressionism is perhaps the most important movement in the whole of modern painting. At some point in the 1860s, a group of young artists decided to paint, very simply, what they saw, thought, and felt. They weren’t interested in painting history, mythology, or the lives of great men, and they didn’t seek perfection in visual appearances. Instead, as their name suggests, the Impressionists tried to get down on canvas an “impression” of how a landscape, thing, or person appeared to them at a certain moment in time. This often meant using much lighter and looser brushwork than painters had up until that point, and painting out of doors, en plein air. The Impressionists also rejected official exhibitions and painting competitions set up by the French government, instead organizing their own group exhibitions, which the public were initially very hostile to. All of these moves predicted the emergence of modern art, and the whole associated philosophy of the avant-garde.
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:19.7 W x 23.6 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Argentina.
Customs:Shipments from Argentina may experience delays due to country's regulations for exporting valuable artworks.
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Argentina
"Always choose that work that transmits something to you, that sensitizes you above all and remember that Art is interpretation among other things." INTERVIEW: 1 ) https://www.youtube.com/watch?v=Cs1ugetuyP8 2 ) https://www.raisonne.studio/project-courses/3 3 ) https://www.lanacion.com.ar/deportes/turf/el-pincel-que-atrapo-la-belleza-del-turf-nid915157/ Architect. Since 1985 he is trained in the plastic arts at the Academy of Miguel Perez Macias where he develops Drawing and Painting with references from the Italian Renaissance and French Impressionism. He later implements the Pen technique in his Drawings. Like the great Masters. Approaching the countries of this Artist's Painting may amount to the most prodigious of adventures. Undertaken in the first place by his overflowing imagination, immediately encoded by a series of numbered visions, in which Venice and motherhood, in addition expressive photographs and impressive nudes find a preponderant place, and that have their most immediate justification and their most complete explanation in those same other paintings, small and in secondary appearances, which complete and notably enrich the main composition. Marco Ortolan reveals himself as what he is, a first-rate painter, a heir, sure and confident and of the first line, of the plastic goods of the Italian Renaissance, to which he repeatedly alludes, and not only for compositional reasons. , but in search of the cleanest roots of his art, so deepened and expanded that also his work, his own, concludes to be taken as born in In the mid-sixteenth century, and in that privileged place, Venice, whose waters continue to flow, perennially, and without ever interrupting the vitality of its creative ebb. Venice, and within it, several works of art born in different latitudes of that Italy always astonishing when it comes to measuring the capacity and great quality of its various and important static currents throughout so many centuries, which nevertheless achieve the true miracle that this current is constantly renewed and fresh, so much so that the same Marco Ortolan's work seems to emanate from it, not an attitude of respect and great aesthetic understanding, two of the greatest virtues of what this young Architect and Painter, insofar as he takes to the canvas.
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