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Winter Meridian in the gallery
As the season of low hanging moons rise in autumn this piece captures the weight and beauty of this beautiful event.

'Behind all surfaces exists a previously unseen world. When we dare to peel back the superficial layer we find intrigue, secrets, desires, rust, marrow and molecules. These inner layers are harder to access. They require time, patience, analysis and sharpened skills. But once reached, these layers are like precious amethyst troves hidden under rough, grey surfaces. Furthermore, said layers are essential to the structure and stability of all things living and inanimate. Chelsea Davine’s resounding work explores these unseen structural layers by giving them a well deserved attention. She urges us to delve and go beyond the veneers and exteriors in search of simple, quotidian beauty.
This body of work, documented on steel and canvass— two natural and industrial elements whose uses vary from utilitarian to aesthetic—, is derived from the five classical elements: Earth, Air, Fire, Water and Aether. With these pieces, Davine provokes an almost archetypical catharsis in the viewer: we recognise the industrial textures, the maternal organic earth tones, the geometric forms and tonal contrasts that mimic landscapes. The artist takes advantage of these iconographic forms and textures that have existed since the beginning of time which adds a kind of universalism to her work. One has the chance to recede into their memories and recall elemental, geometric mirages before the resonant familiarity of the pieces.
The confrontational tactile element is hard to miss. It’s no surprise given her sculpture background which seems to ‘chisel’ and ‘oxidise’ the entirety of her work. Davine is never timid about what she wants to express. Her pieces present themselves with a rigid staunchness but are never too proud or egotistical and are comprised of layers upon layers of bold and brazen textures which she methodically and repetitively applies and peels back again. This cyclical procedure is very congruent to the concept: the five elements are the foundation and structure of the cycle of life so it would only make sense to work cyclically. With that, Davine literally re-cycles materials, techniques, colours and found objects that already exist in nature or in everyday life. She simply joins them and gives them a place to live.
In the end, her work is highly processual yet she never denies aesthetics; the gold leaf shimmers and glistens, the vibrant aquamarines and crimsons bellow and crash, the undulating auburns hum. That said, the application of said material is very much respectful to its raw state. Davine lets nature speak for herself; the artist simply makes it evident.'
_____________ Gabriel Virgilio Luciani
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Winter Meridian Painting

Chelsea Davine

Spain

Painting, Oil on Canvas

Size: 59.1 W x 59.1 H x 1.2 D in

Ships in a Crate

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SOLD
Originally listed for $6,550
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894 Views
35

Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

As the season of low hanging moons rise in autumn this piece captures the weight and beauty of this beautiful event. 'Behind all surfaces exists a previously unseen world. When we dare to peel back the superficial layer we find intrigue, secrets, desires, rust, marrow and molecules. These inner layers are harder to access. They require time, patience, analysis and sharpened skills. But once reached, these layers are like precious amethyst troves hidden under rough, grey surfaces. Furthermore, said layers are essential to the structure and stability of all things living and inanimate. Chelsea Davine’s resounding work explores these unseen structural layers by giving them a well deserved attention. She urges us to delve and go beyond the veneers and exteriors in search of simple, quotidian beauty. This body of work, documented on steel and canvass— two natural and industrial elements whose uses vary from utilitarian to aesthetic—, is derived from the five classical elements: Earth, Air, Fire, Water and Aether. With these pieces, Davine provokes an almost archetypical catharsis in the viewer: we recognise the industrial textures, the maternal organic earth tones, the geometric forms and tonal contrasts that mimic landscapes. The artist takes advantage of these iconographic forms and textures that have existed since the beginning of time which adds a kind of universalism to her work. One has the chance to recede into their memories and recall elemental, geometric mirages before the resonant familiarity of the pieces. The confrontational tactile element is hard to miss. It’s no surprise given her sculpture background which seems to ‘chisel’ and ‘oxidise’ the entirety of her work. Davine is never timid about what she wants to express. Her pieces present themselves with a rigid staunchness but are never too proud or egotistical and are comprised of layers upon layers of bold and brazen textures which she methodically and repetitively applies and peels back again. This cyclical procedure is very congruent to the concept: the five elements are the foundation and structure of the cycle of life so it would only make sense to work cyclically. With that, Davine literally re-cycles materials, techniques, colours and found objects that already exist in nature or in everyday life. She simply joins them and gives them a place to live. In the end, her work is highly processual yet she never denies aesthetics; the gold leaf shimmers and glistens, the vibrant aquamarines and crimsons bellow and crash, the undulating auburns hum. That said, the application of said material is very much respectful to its raw state. Davine lets nature speak for herself; the artist simply makes it evident.' _____________ Gabriel Virgilio Luciani

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:59.1 W x 59.1 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I moved to Barcelona shortly after completing my degree enthused by the light and cultural dynamism of the Catalan capital. I was born in London but spent my formative years growing up in Lyme Regis, England. I moved back to London in the early 90’s to do a Foundation at Chelsea Art College. I studied sculpture at the Hornsey Art College in North London, whose alumni include Richard Wilson, Richard Wentworth and Anish Kapoor including an Erasmus sculpture programme at Valencia University. Once in Spain I returned to my practice and spent time designing bespoke furniture mainly from steel and wood and working in Interior Design. I set up an artist’s group in a shared studio space. In 2009 I had my first solo show with Tasneem Gallery in Barcelona and then moved to a large studio next to Tapies’ studio in the bohemian Gracia area of the city. My work grew in size and commissions for paintings became a fundamental part of my practice often working with local architects and International clients who walked past my studio. I was awarded the Artist in Residence at The Boat Building Academy, Lyme Regis 2010/2012 a mutually beneficial working experience where the line between craft, sculpture and painting became further blurred for me. I have a long standing relationship with the Russell Gallery in London, Villa del Arte in Barcelona and the Nordic Art Agency, Sweden. I show at art fairs from Singapore to New York and London 'Behind all surfaces exists a previously unseen world. When we dare to peel back the superficial layer we find intrigue, secrets, desires, rust, marrow and molecules. These inner layers are harder to access. They require time, patience, analysis and sharpened skills. These layers are like precious amethyst troves hidden under rough, grey surfaces. Furthermore, said layers are essential to the structure and stability of all things living and inanimate. Chelsea Davine’s resounding work explores these unseen structural layers by giving them a well deserved attention. She urges us to delve and go beyond the veneers and exteriors in search of simple, quotidian beauty. This body of work, documented on steel and canvass— two natural and industrial elements whose uses vary from utilitarian to aesthetic—, is derived from the five classical elements: Earth, Air, Fire, Water and Aether.

Artist Recognition

Featured in the Catalog

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Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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