VIEW IN MY ROOM
United Kingdom
Photography, cardboard on Paper
Size: 50 W x 25 H x 60 D in
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Artist featured in a collection
I am currently working on stop motion animation 'Heirlooms'. 'Heirlooms' is about a group of children who are haunted by the ghost of Peg Prowler. This photograph shows Nixie, Hermione and Faye as they explore the contents of an old trunk. The trunk contains an old bundle of clothes. When the girls lift them out they find a dress, cape, bonnet, gloves and shoes. They return the old moth eaten outfit to the chest. From then on things aren't quite the same for the children. There are sightings of a strange lady wearing a bonnet... Work in progress.
Original Created:2018
Subjects:Children
Photography:cardboard on Paper
Original:One-of-a-kind Artwork
Size:50 W x 25 H x 60 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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United Kingdom
I create sculpture, animation, installations, drawings and sound pieces. For inspiration I look to: Susie Templeton, Kara Walker, Yuri Norstein, Hew Locke, Susan Hiller, Ruth Ringgold, Tove Jansson and Willard Wigan. I'm currently creating a stop motion animation 'Heirlooms', which is about a group of children who are haunted by the faceless ghost of Peg Prowler. The voyeuristic aspect of my work may stem from a childhood wish to gain access to restricted spaces (such as a hidden room in a dollhouse). My work involves the frustration of being prevented from fulfilling wishes, by only allowing glimpses of these inaccessible worlds. By creating intricate, small worlds I am suggesting the desire to retreat from something threatening like society. Yet I am also interested in the contradictions and conflict this inspires; it appears that by reducing the world to a small and repetitious environment you create a sense of safety, but perhaps all you are doing is internalising the initial threat. Images such as rats eating from dining room tables not only evoke feelings of disgust but of childish play. I am perhaps attempting to control fragile memories and perceptions of childhood built on cardboard foundations. The structures I create are deliberately unsecure, unsound, in order to summon up an atmosphere of unease, this is a fragile world that could topple down at any moment. Cardboard is also interesting to work with, as it is often viewed as a 'poor' material, only salvaged by the dispossessed.
Artist featured by Saatchi Art in a collection
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