VIEW IN MY ROOM
United States
Photography, Black & White on Paper
Size: 20 W x 24 H x 1 D in
Ships in a Tube
Shipping included
Walking around Porto, Portugal, on a recent vacation and looking for things to shoot found this [finally] iconic trolley scene out front of the Clerigos Church Tower. This is a scene that's been photographed, painted, sketched, drawn -- and, of course, everyone sees it just a little different. I shot this in color and converted it to black & white just because I happened to really like how it played in black & white. Offered on Hahnemuhle Fine Art Baryta, numbered and signed, this print measures 20 x 23.8 -- or 20.8 x 24.6 with borders . . .
Photography:Black & White on Paper
Artist Produced Limited Edition of:16
Size:20 W x 24 H x 1 D in
Frame:Not applicable
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I'm a national award-winning journalist and nine-time Pulitzer nominee who's made hundreds of TV and radio appearances, including NPR and Good Morning America. Author of Swee'pea [Simon & Schuster / Atria], a critically acclaimed book centered around New York City playground basketball legend Lloyd (Swee'pea) Daniels, I've been featured in several documentary films -- including the Emmy Award-winning ESPN 30-for-30 Big Shot. While I've worked primarily as a sports reporter, news reporter, columnist and investigative journalist, I've also done travel writing and photography during a four-decade career at a major New York daily paper, and I'm currently shopping my first novel. This marks my first foray into selling my fine art photography . . . P.S. I've noticed that when it comes to calling up full screen versions of some photos they appear to lack clarity. PLEASE use the "Original" file -- especially, when you're looking at Open Edition prints -- because those files appear to be proper large-scale renditions. Hoping this gets rectified . . .
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