VIEW IN MY ROOM
United States
Photography, Digital on Paper
Size: 32 W x 24 H x 0.1 D in
Ships in a Tube
Shipping included
Artist Recognition
Artist featured in a collection
“Suckling Maia” is a photo which achieved "Nominated" status in the prestigious International Black & White Spider Awards. It The Reykjanes Power Plant, Iceland is on the Reykjanes Peninsula, just south of international Keflavik Airport. This is where the mid-Atalntic Spreading Ridge comes ashore, offering Iceland Maia's warmth. Iceland's people are kept warm through geothermal energy and this is one of many locations that tap into the heat of the welling lava. The power plant is within the Reykjanes UNESCO Global Geopark established in 2015. It is an area of 829 square kilometers consisting of hundreds of different craters, caves and lava fields, a variety of bird life, astonishing cliffs, high geothermal activity, and black sand beaches. Due to the upwelling of lava and the spreading of the European and North Atlantic tectonic plates, the area is growing at an average rate of 2.5 cm/yr. The limited edition is printed using Epson Ultrachrome HD pigment inks on archival Hahnemühle 340gsm metallic paper, beautifully rendered with rich blacks. All paper sizes include 0.2 inch white border around the print for framing. Signed, numbered, dated au verso. Includes a signed Certificate of Authenticity.
Photography:Digital on Paper
Artist Produced Limited Edition of:20
Size:32 W x 24 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
For different sizes or formats, please contact me at: bernie@bernardwerner.org Bernard Werner follows an aesthetic rather than a particular style. His range is from the realistic to surrealistic to highly manipulated images in the abstract. His works have been in juried shows for over 25 years. He has exhibits in a number of private and corporate collections as well as virtually on the web. The artist’s interpretation only begins with the camera since the image in the viewfinder is never what is seen in the mind’s eye. We have at our finger tips a very powerful set of tools from the digital camera to the computer to the inkjet printer to create our art. Using the power of computers and the availability of new materials and processes, it is and should be, a period of intense experimentation with all artists pushing all boundaries. We should respect the past, but forge ahead with new and different accomplishments. More and more this digital amalgam lends credence to Ansel Adams' paraphrase: ‘A photograph is not taken, it is made’. One must extend the darkroom master's ethos to Photoshop. Photography was part of Werner's family culture growing up, since his older brothers always seemed to have a camera in hand. He inherited some of that, starting with a Kodak Brownie and finally reaching an apex with a Mamiya SLR. However, imagination and reality only reached a confluence with the advent of digital photography. When Photoshop V5 came free with his first Nikon, he was hooked. Since Werner's youth, the influencers were magazines such as Life, Der Stern, Time, Saturday Evening Post, Look, Der Spiegel, National Geographic, and others. Edward Steichen's compilation of "Family of Man" as book also left an indelible mark. Gallery: https://bernardwerner.smugmug.com
Artist featured by Saatchi Art in a collection
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