VIEW IN MY ROOM
'The White Rabbit' Photograph - Limited Edition of 5
Photography, C-type on Paper
Size: 39 W x 24 H x 1 D in
Ships in a Box
Shipping included
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Artist featured in a collection
About The Artwork
'The White Rabbit' (The hurrier I go, the behinder I get) A simple fantasy created in a fantastical meadow in Mendocino County, Northern California... 'It was the White Rabbit, trotting slowly back again, and looking anxiously about as it went, as if it had lost something; and she heard it muttering to itself `The Duchess! The Duchess! Oh my dear paws! Oh my fur and whiskers! She'll get me executed, as sure as ferrets are ferrets! Where can I have dropped them, I wonder?' Alice guessed in a moment that it was looking for the fan and the pair of white kid gloves, and she very good-naturedly began hunting about for them, but they were nowhere to be seen--everything seemed to have changed since her swim in the pool, and the great hall, with the glass table and the little door, had vanished completely. Very soon the Rabbit noticed Alice, as she went hunting about, and called out to her in an angry tone, `Why, Mary Ann, what are you doing out here? Run home this moment, and fetch me a pair of gloves and a fan! Quick, now!' And Alice was so much frightened that she ran off at once in the direction it pointed to, without trying to explain the mistake it had made."
Details & Dimensions
Photography:C-type on Paper
Artist Produced Limited Edition of:5
Size:39 W x 24 H x 1 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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.Fine Art Photography, Social Documentary, Photography, . .Old Print Process, Abstract Art . . If time is a mellifluous river, then photographs are the temporal stepping stones on which the viewer can stand, mid-flow in the present to look back upon the past. As a child I sat fascinated by my father’s photography of Africa, transported by the vast landscapes and intimate portraits, eyes that fluoresced and horizons that beckoned me forth. The power of photographs to take the viewer to a place of quiet contemplation was thus instilled in me from an early age. As a young man I set out to answer the challenge of those horizons. Drifting from culture to culture the relationship of my art to time becomes ever clearer, as does a growing sense of man’s disconnection from nature, its seasons and cycles, ultimately a disconnection from the self. Through my work, I seek to distill the essence of humanity and nature, from the boundless to the intimate. From the minutiae of man’s diaspora to the grandiose wilderness of our ever diminishing world.
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