VIEW IN MY ROOM
United States
Printmaking, Ink on Paper
Size: 18 W x 6 H x 0.1 D in
Ships in a Tube
Shipping included
Artist Recognition
Artist featured in a collection
The image is a black and white artistic representation combining features from machinery, human portraiture, and abstract elements, with a comic-style halftone effect. It likely depicts a human profile with some form of distortion or exaggeration, possibly achieved through a helmet or another object causing a peculiar visual alteration. The person portrayed has a beard and mustache, and accessories that include a necklace with a large silver circle and black pearls, as well as a bracelet with black pearls. There's also a black leather strap with a silver watch on their left wrist. This figure is set against a backdrop with graffiti elements, including a prominent black dollar sign on a brick wall. The overall mood of the piece seems to evoke a sense of hope or contemplation.
Printmaking:Ink on Paper
Artist Produced Limited Edition of:4
Size:18 W x 6 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Bio: Rochester, NY based artist Daniel DeLuna has exhibited his painting, drawing and digital work internationally. Starting as a painter, his work has been greatly extended and influenced by his engagement with digital media at the same time retaining the connection to the initial practice in those traditional mediums. Working with an abstract visual language, he creates richly evocative work influenced by art history, music, and design. He holds an MFA from Pratt Institute in Brooklyn, NY. and is currently Associate Professor in the School of Design at the Rochester Institute of Technology. Statement My work consisting of paintings, drawings, digital video and stills, engages with the language of abstraction. Superimposed intervals of horizontal or vertical lines generate a rhythmic structure with accents and beats that become the field for the foreground elements that often hold, or become surrogates for, figural associations. The work takes a nod at the history of traditional abstraction as filtered through and informed by the pervasive influence of technology on contemporary culture. Digital tools are used extensively in the creation of the work as I employ both common software as well as highly specialized high-end 3d animation applications. The gestural impulses, including erasures, as contrasted against the geometric, reflect my deeply ambivalent relationship with technology. I am searching for how to create meaningful aesthetic experiences in a culture where the visual is increasing debased by the image glut caused by our interaction with the digital realm. Themes from art history that frequently organize style and approach in into broad categories defined by binary oppositions, such as the romantic versus the classical, are important, as I attempt to synthesize these seemingly contradictory ideas. I want the works to be emotionally resonant, they do not make up a singular emotional statement but instead have a connection to the flows, forces, textures, rhythms and complex relationships we experience in everyday life.
Artist featured by Saatchi Art in a collection
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