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Space binds material in its environment, we rely on space to move and to live. There is space in our cells and in the atoms from which we are structured. In fact, there is so much space inside our bodies that we could say we are mostly space. But, if we are mostly space, then how might this change our outlook on the roll of space in our environment? If we look closely, we see that we are not separate from our space, both inside and outside space — rather, space and material are intimately intertwined into a unitary organic system. I find contemplating on such interdependent relationships can open a door out of our dualistic thought patterns. Parallel Forces No.4 is an expression of an interplay between a concave or hollow system and a solid system. The two systems are used not only for representing the relationship between space and material but also as metaphors for the manifest and unmanifest — the unmanifest being that which is beyond sensory and even conceptual access. The natural order behind all life cannot be grasped by the thinking mind in its limited and dualistic structure. What kind of relationship does this universal life force have with our sensory and cognitive experience?
Space binds material in its environment, we rely on space to move and to live. There is space in our cells and in the atoms from which we are structured. In fact, there is so much space inside our bodies that we could say we are mostly space. But, if we are mostly space, then how might this change our outlook on the roll of space in our environment? If we look closely, we see that we are not separate from our space, both inside and outside space — rather, space and material are intimately intertwined into a unitary organic system. I find contemplating on such interdependent relationships can open a door out of our dualistic thought patterns. Parallel Forces No.4 is an expression of an interplay between a concave or hollow system and a solid system. The two systems are used not only for representing the relationship between space and material but also as metaphors for the manifest and unmanifest — the unmanifest being that which is beyond sensory and even conceptual access. The natural order behind all life cannot be grasped by the thinking mind in its limited and dualistic structure. What kind of relationship does this universal life force have with our sensory and cognitive experience?
Space binds material in its environment, we rely on space to move and to live. There is space in our cells and in the atoms from which we are structured. In fact, there is so much space inside our bodies that we could say we are mostly space. But, if we are mostly space, then how might this change our outlook on the roll of space in our environment? If we look closely, we see that we are not separate from our space, both inside and outside space — rather, space and material are intimately intertwined into a unitary organic system. I find contemplating on such interdependent relationships can open a door out of our dualistic thought patterns. Parallel Forces No.4 is an expression of an interplay between a concave or hollow system and a solid system. The two systems are used not only for representing the relationship between space and material but also as metaphors for the manifest and unmanifest — the unmanifest being that which is beyond sensory and even conceptual access. The natural order behind all life cannot be grasped by the thinking mind in its limited and dualistic structure. What kind of relationship does this universal life force have with our sensory and cognitive experience?
Space binds material in its environment, we rely on space to move and to live. There is space in our cells and in the atoms from which we are structured. In fact, there is so much space inside our bodies that we could say we are mostly space. But, if we are mostly space, then how might this change our outlook on the roll of space in our environment? If we look closely, we see that we are not separate from our space, both inside and outside space — rather, space and material are intimately intertwined into a unitary organic system. I find contemplating on such interdependent relationships can open a door out of our dualistic thought patterns. Parallel Forces No.4 is an expression of an interplay between a concave or hollow system and a solid system. The two systems are used not only for representing the relationship between space and material but also as metaphors for the manifest and unmanifest — the unmanifest being that which is beyond sensory and even conceptual access. The natural order behind all life cannot be grasped by the thinking mind in its limited and dualistic structure. What kind of relationship does this universal life force have with our sensory and cognitive experience?
Space binds material in its environment, we rely on space to move and to live. There is space in our cells and in the atoms from which we are structured. In fact, there is so much space inside our bodies that we could say we are mostly space. But, if we are mostly space, then how might this change our outlook on the roll of space in our environment? If we look closely, we see that we are not separate from our space, both inside and outside space — rather, space and material are intimately intertwined into a unitary organic system. I find contemplating on such interdependent relationships can open a door out of our dualistic thought patterns. Parallel Forces No.4 is an expression of an interplay between a concave or hollow system and a solid system. The two systems are used not only for representing the relationship between space and material but also as metaphors for the manifest and unmanifest — the unmanifest being that which is beyond sensory and even conceptual access. The natural order behind all life cannot be grasped by the thinking mind in its limited and dualistic structure. What kind of relationship does this universal life force have with our sensory and cognitive experience?
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Abstract Wood Sculpture - Parallel Forces No.4 - 2018 - Western Red Cedar - Freestanding, Modern, Contemporary, Original, Dynamic, Organic Sculpture

Mike Sasaki

Canada

Sculpture, Wood on Wood

Size: 12.8 W x 5.8 H x 5.8 D in

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Originally listed for $3,732
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1001 Views
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About The Artwork

Space binds material in its environment, we rely on space to move and to live. There is space in our cells and in the atoms from which we are structured. In fact, there is so much space inside our bodies that we could say we are mostly space. But, if we are mostly space, then how might this change our outlook on the roll of space in our environment? If we look closely, we see that we are not separate from our space, both inside and outside space — rather, space and material are intimately intertwined into a unitary organic system. I find contemplating on such interdependent relationships can open a door out of our dualistic thought patterns. Parallel Forces No.4 is an expression of an interplay between a concave or hollow system and a solid system. The two systems are used not only for representing the relationship between space and material but also as metaphors for the manifest and unmanifest — the unmanifest being that which is beyond sensory and even conceptual access. The natural order behind all life cannot be grasped by the thinking mind in its limited and dualistic structure. What kind of relationship does this universal life force have with our sensory and cognitive experience?

Details & Dimensions

Sculpture:Wood on Wood

Original:One-of-a-kind Artwork

Size:12.8 W x 5.8 H x 5.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Mike Sasaki was born in Toronto, Canada. He graduated from the Bachelor of Design Honours program at York University / Sheridan College in 2005. He lived in Tokyo, Japan for 5 years where he was immersed in traditional and modern Japanese culture. The martial arts philosophies have played an important role in his artistic development. In his search for a hands on approach he has found sculpting in wood a wonderful solution. He is currently living in Metro Vancouver and focusing on the metamorphic line of abstract wood forms.

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