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Black Dragon Sculpture

Richard Arfsten

United States

Sculpture, Metal on Aluminium

Size: 11 W x 19 H x 7 D in

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$4,975

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182 Views
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About The Artwork

Black Dragon abstract sculpture / maquette One of the main reasons for having a large piece of sculpture is the landmark status it creates. Imageion this piece in front of a restaurant. It is a giant sign. Kids use it as a place to feel good about like a friend. Lets go eat at the Black Dragon. Most of my sculpture is made of single plane segments. This means it can be fabricated from flat sheet metal that is cut to size and rolled to make a curve. These pieces are welded into odd shaped boxes that are then welded to other boxes. It is the least expensive way to make large sculpture. The maquette / sculpture tells the builder how to make the boxes. If you would like to enlarge this piece please contact me about the additional fee that is not part of the desk top price. A thick stone base that has a polished top and rough cut sides comes with the piece. More Sculpture If you like this piece you might like to see more. I have hundreds more in different styles and themes on this site. Enter "Arfsten sculpture" in the search box in the upper right to see them. There are many more pieces of sculpture that I have not yet had time to put here on Saatchi.com. If you google “Richard Arfsten sculptor” and click on “Images” on the opening page you will see a collection of my art that I plan to put on Saatchi as time permits. There are also movies of many of these pieces on my You Tube channel (https://www.youtube.com/channel/UCVJYp5X5922_4-sHrI0lRwA). There you can see the sculpture in a multitude of settings and hear my in-depth verbal discussions about them.

Details & Dimensions

Sculpture:Metal on Aluminium

Original:One-of-a-kind Artwork

Size:11 W x 19 H x 7 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have an ambitious approach to life ... and to art ... make something happen every day ... but most of all have fun doing it! A sculptor first, and now working in 2D, I do my best to do just that. Presented here are examples of some of my work. •• My sculpture runs the gamut from abstract, to figurative, to architectural. The materials and methods used are diverse ... from figures modeled in clay or wax, then cast in pewter or bronze ... to aluminum maquettes (produced by evaporative pattern casting) which serve as the 3D blueprints for the pieces that are enlarged and fabricated from sheet metal of all kinds. •• My 2D pieces range from abstract to figurative. You’ll find Originals done in oils or acrylic, one-of-a-kind monotypes, collages, mixed media paintings, and more ... I love working in all mediums. Some of my 2D work may be available as reproductions on this site. ••• MY FASCINATION WITH SCIENCE FICTION & MAKE BELIEVE - When I was in second grade, television was new and the hottest thing. The "Adventures of Flash Gordon" was my favorite program. There was only one kid in the neighborhood who had a TV. We, all the kids, gathered at his house for every episode. I was a huge fan of the characters. Flash was cool and my hero. Dale Arden was OK but Princess Aura was way cooler because she was naughty. Ming The Mercilous was very interesting. But Dr. Zarkov and his super duper telescope - that could see into time forwards and backwards, far and near - was the star of the show for me. The spaceship was really hoakey. You could see the wire that it was traveling on and the little puffs of smoke coming out of it were a joke, even for me. But the concept of the show was magical. Also at that time there were radio shows about space travel and aliens and monsters. I would listen to those shows with my grandfather as I sat on the floor next to the big wooden box radio so I could get the full impact of the sounds. •• These shows inspired me to draw spaceships, mostly "new and improved" versions of Flash's ship. I taped them all over my bedroom walls. At night I would travel with Flash. We would go to distant parts of the Universe and explore ancient ruins - like what I saw in National Geographic when I was not looking at the bare-breasted girls of exotic cultures. (I think artists and sculptors, are to a large part, voyeurs.) Those memories pop up in my art over and over. •• Faces also intrigue and inspire me.

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