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Cosmic Cootie Sculpture

Richard Arfsten

United States

Sculpture, Metal on Aluminium

Size: 10 W x 7 H x 7 D in

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$6,300

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About The Artwork

Cosmic Cootie - sculpture / maquette. This is a very small, extremely difficult to cast piece. It is one of my all time favorites. It says "bug from another planet" to me. It looks like he is showing off to attract his lady bug. It is one of my first mementos from a night time dream journey with Flash Gordon. The maquette could be a desk top sculpture and also could be enlarged. As a maquette it will come with a thick marble base. It is unique design - as all my pieces are. The maquette has a polychrome finish. If you like this piece you might like to see more. I have hundreds more in different styles and themes on this site. Enter "Arfsten sculpture" in the search box in the upper right to see them. Pricing and Maquette Statement Why Build a Maquette? The major value in these pieces is the maquette aspect. The maquette is a three-dimensional model or blueprint that works to show that the design is accurate and can be built larger. A metal fabricator measures off of it to make the patterns to build from, just like a tailor uses your measurements to make your clothes. When presenting ideas to a client for consideration most sculptors submit a concept drawing on a piece of paper. A maquette is the actual sculpture in miniature. When you lift it up to view at eye level it will depict the sculpture exactly as it will be seen in real life as if you were walking up to it. Pricing It seems that what I read in the art magazines for a formula for pricing art comes from people who live in LA LA Land. They recommend using the time to make it, times an hourly wage, plus the cost of materials to come up with a price. But what about the studio rent and overhead? Or the hours of time spent on the computer marketing the work? And the fact that a foundry must be paid? When creating a sculpture I am not just dealing with a piece of canvas and some paint. The price of the sculpture/maquette must also take into account the years it has taken me to develop my sense of design. The hundreds of designs that I will not sell because I am not proud of them. Or the hundreds of designs that failed in the casting process. Many expert foundry men have told me my process is impossible to do. Obviously I have figured out something they do not know. Add to that the inability to cast new pieces. I cast these pieces myself at the foundry because they did not have the knowledge to work with my delicate foam patterns. Then the foundries closed. So now I would have to build a foundry of my own if I were to cast any more. That’s a huge expense I cannot undertake. So that leaves a finite number of pieces that are cast and are being offered for sale.These pieces are too complex to make copies of them in the traditional foundry casting manner, so they are one-of-a-kind. The cost to the sculptor also includes the commission to sell the work. The sales agent can get up to 70% of the selling price. Being a sculptor is not an easy way to make a living. As you can see, there is a very large cost involved in casting sculpture. You never know when a piece will sell so it’s all a gamble. I am 77 years old as I write this. Once I die the price of my work can skyrocket just as it does for a lot of art when the artist dies. Purchasing a piece might be a good investment for a client. The prices of the pieces listed are for use as desktop sculpture. If you want to use the maquette to have a larger version fabricated there is an additional fee based on a percentage of building costs - similar to fees that interior designers or architects charge. Please contact me for more details on enlargement. More Sculpture There are many more pieces of sculpture that I have not yet had time to put here on Saatchi.com. If you google “Richard Arfsten sculptor” and click on “Images” on the opening page you will see a collection of my art that I plan to put on Saatchi as time permits. There are also movies of many of these pieces on my You Tube channel (https://www.youtube.com/channel/UCVJYp5X5922_4-sHrI0lRwA). There you can see the sculpture in a multitude of settings and hear my in-depth verbal discussions about them.

Details & Dimensions

Sculpture:Metal on Aluminium

Original:One-of-a-kind Artwork

Size:10 W x 7 H x 7 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have an ambitious approach to life ... and to art ... make something happen every day ... but most of all have fun doing it! A sculptor first, and now working in 2D, I do my best to do just that. Presented here are examples of some of my work. •• My sculpture runs the gamut from abstract, to figurative, to architectural. The materials and methods used are diverse ... from figures modeled in clay or wax, then cast in pewter or bronze ... to aluminum maquettes (produced by evaporative pattern casting) which serve as the 3D blueprints for the pieces that are enlarged and fabricated from sheet metal of all kinds. •• My 2D pieces range from abstract to figurative. You’ll find Originals done in oils or acrylic, one-of-a-kind monotypes, collages, mixed media paintings, and more ... I love working in all mediums. Some of my 2D work may be available as reproductions on this site. ••• MY FASCINATION WITH SCIENCE FICTION & MAKE BELIEVE - When I was in second grade, television was new and the hottest thing. The "Adventures of Flash Gordon" was my favorite program. There was only one kid in the neighborhood who had a TV. We, all the kids, gathered at his house for every episode. I was a huge fan of the characters. Flash was cool and my hero. Dale Arden was OK but Princess Aura was way cooler because she was naughty. Ming The Mercilous was very interesting. But Dr. Zarkov and his super duper telescope - that could see into time forwards and backwards, far and near - was the star of the show for me. The spaceship was really hoakey. You could see the wire that it was traveling on and the little puffs of smoke coming out of it were a joke, even for me. But the concept of the show was magical. Also at that time there were radio shows about space travel and aliens and monsters. I would listen to those shows with my grandfather as I sat on the floor next to the big wooden box radio so I could get the full impact of the sounds. •• These shows inspired me to draw spaceships, mostly "new and improved" versions of Flash's ship. I taped them all over my bedroom walls. At night I would travel with Flash. We would go to distant parts of the Universe and explore ancient ruins - like what I saw in National Geographic when I was not looking at the bare-breasted girls of exotic cultures. (I think artists and sculptors, are to a large part, voyeurs.) Those memories pop up in my art over and over. •• Faces also intrigue and inspire me.

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