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Netherlands
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9 x 12 in ($40)
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White ($80)
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This graphite pencil drawing ‘Sheer Deco Nude – 14-10-22’ is a deepening of my love for texture of fabrics. My Last drawing of Louise Brooks also bears witness to that and the one before that as well. Surely my satin fetishes already showed but now it was time to experiment with sheer fabrics on the female form. Some time ago I saw Pride and Prejudice, starring Keira Knightley as Elizabeth Bennet. In a particular scene at Mr Darcy’s house she is gazing at a statue with a veiled face. I found that simply fascinating. Very classic, a bit corny perhaps but I don’t mind. I already explained I am not living in the era I should have been. I certainly will not burn my art works either like Damien Hirst, that’s for sure. Instead I gladly refer to art works of eras gone by.
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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