VIEW IN MY ROOM
United States
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9 x 12 in ($40)
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White ($80)
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Showed at the The Other Art Fair
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A girl turns her back on earthly delights to soliloquize the viewer; this piece discusses the sacrifice required to be an observer. It is the physical sacrifice of the lamb and the social sacrifice of the artist, the mother. There are many stories embedded in this piece and I hope each viewer follows their own narrative thread. Inscribed on one side in woodburning is "We want the spring to come and the winter to pass we want whoever to call or not call, a letter, a kiss, we want more and more and then more of it" from Marie Howe's poem "What the Living Do". On the other side I have burnt "I picture you when we first met you were twenty-two...In the morning peeling an orange looking hungry do you want some? You asked and then just avalanched into me with weight and kisses" from Mount Eerie's song Tintin in Tibet.
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
My work as an artist is, in many ways, an exercise in documentation, inextricable from the infinite transformations humming together to create this moment – the precipice of environmental collapse, daily signs of world desolation, the volatile e-culture, and that central question that wonders through it all: Will there be a human future? I watch the timeless way my friends move through this existence. I illustrate their bravery, sensitivity, sensuality, uncertainty, and fear. Their connection, not only to our terrestrial context, but to history and the heavens. I like the way they look frozen in time, so I invent air pockets for them, collaged with reality, history, myth, and the subconscious. Before the beginning, after the end. The dawn of time and the end of days have much in common; the first and last lights glow with the same deliverance. So, I look backwards, excavating history for answers, escape, and ancient truth. I’m an observer. I’m an unreliable documentarian, augmenting narratives of my choosing. All of my work speaks to the only truths I know to be certain: We need community more than anything. We are home in nature. We create even as we collapse.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Brooklyn
Artist featured by Saatchi Art in a collection
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