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Fragmentation Print

Mahmood Hayat

Pakistan

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14 x 21 in ($129)

14 x 21 in ($129)

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$279
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About The Artwork

Inspired by the "physiognomical concept" - This concept was practiced by the most renowned artists. The concept denotes that, completely symmetrical faces are distracting and are not perceived as normal. Symmetry is only found in a mirror image or under a mechanical influence. You can never find two things are totally the same in the world. Not only are your two eyes different, but also one of your hand or feet is bigger than the other." Perfection lies in God's hand alone, not the human hand. My works are based on such a concept, notice; the formation, how the head shifts, and eyes are a bit imperfect in relevance, yet balanced. Our obsession with the human face starts from the moment we open our eyes; they are the first thing we learn how to read and love. I find little pleasure in fame. Visual arts to me, is all about visually pleasing images. The way I express my skills, color harmony, strokes and balance keeping in mind the physiognomical aspect and golden ratio is to set my viewers in a certain positive stance. You see, the great artists of the past, were aware that the human life is full of chaos and suffering. But they had a remedy for this, and the name of that remedy was "beauty".

Details & Dimensions

Print:Giclee on Canvas

Size:14 W x 21 H x 1.25 D in

Size with Frame:15.75 W x 22.75 H x 1.25 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

As an artist, I draw from a rich background steeped in tradition and artistic exploration. Graduating from the prestigious National College of Arts, the oldest art institute in the subcontinent, in 2007, I embarked on a journey fueled by a deep appreciation for fine art. My early exposure to traditional techniques of painting and finishing classical French interior products ignited a passion for the old masters and their mastery of form and expression. This fascination guided me towards the study of portraiture, where I delved into the intricate details of anatomy and figurative art. My artistic process is deeply personal, rooted in introspection and observation of life's nuances. As a silent individual, painting serves as my voice, allowing me to articulate my innermost feelings and experiences on canvas or paper. Whether capturing the grace of an animal or the complexity of the human form, my focus remains on portraying anatomy and figurative elements with precision and emotion. Before commencing any work, I meticulously sketch my concepts to refine my understanding and ensure accuracy in proportions. Drawing inspiration from my surroundings and personal documentation, I seamlessly integrate references into my compositions, infusing them with a unique narrative and perspective. For me, art transcends mere representation; it is a medium through which I convey emotions and evoke visceral responses. Each painting is imbued with a story, inviting viewers to immerse themselves in a world of subtle light shifts and harmonious color palettes. Central to my artistic philosophy is the belief in creating meaningful connections through my work. I strive to elicit genuine emotional responses, allowing viewers to engage with my art on a profound level beyond commercial considerations or biases. In addition to focusing on conceptual depth, I prioritize the quality of my materials. From crafting my own stretcher bars with traditional joinery to selecting premium-grade paints and archival paper, I ensure that each artwork meets the highest standards of craftsmanship. While my work is undoubtedly influenced by the classical academic style, I constantly innovate to infuse it with a contemporary sensibility. Born in the '80s, I embrace my role as a contemporary artist, blending tradition with modernity to offer viewers a fresh and original visual experience.

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