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Majnoon No.3 Print

Saya Behnam

United States

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About The Artwork

I paint entirely with colors extracted from plants, flowers, spices, as well as stones and minerals found in nature. Like any other living thing, flowers produce different colors in different weather, soil, and location. Since they are specific to the moment, time and location they were created, each can never be replicated. Flowers & spices create varying shades of color, often entirely out of my artistic control, based on how they absorb water and interact with the texture of the medium. There is no certainty in the shade or hue I get. Each work is unique based on the flowers and plants I used at that specific moment. I believe humankind has always sought some form of permanence, while at the same time being keenly aware that all of life is impermanent and nothing is fixed. Ever changing, ever evolving into new forms, all of nature flows through its rhythms of change. Yet I revere that eternal moment of NOW, where we have the opportunity to grasp life’s fullness and potential for beauty. For several years now, the materials I use to paint are extracted colors from dried or fresh flowers and plants, spices, as well as natural minerals and stones. These materials are not local in origin, but rather come from various parts of the earth, and thus symbolically represent our global humanity. In some of my new work, in addition to the extracts previously mentioned, I’ve begun to use the actual dried or fresh petals and fragments of flowers. It was in the process of adhering these fresh elements that the fossil concept came to mind. I love the idea that fossils are once living organisms that have been captured in time, and from our present perspective, permanently so. Here the shape of life, including its essences, feels indestructible. They are past NOWs frozen in time. From a philosophical perspective then, my work takes on the characteristics of future fossils that I have created to capture the vibrant, transient NOW. Through the creative process, my materials become co-creators of captured moments of my life that will endure beyond that moment. The fragility of my materials, such as flower petals, are just as fragile as my breath that sends my materials across the canvas, yet they gain strength and permanence as co-creators of the finished work of art. We become fossilized!

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Size with Frame:14.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Sayeh “Saya” Behnam is a visual artist with over 20 years of experience. She currently lives and works in her studio in Northern Virginia. Statement: I use Natural color and flowers for my work. Tea and Saffron Series “My breath is like a wind in nature and these stigmas go wherever they want…my canvas becomes the receiver of my breath of life…capturing it’s essence in a gentle spray of color and form” Whereas Saya Benham’s “Gold Leaf” series is concerned with concepts of sacred geometry and material purity, the “Saffron, Tea, and Spice Series” goes into the essence and truth of who she is as a living being. The artist uses such natural dry mediums as saffron, hibiscus, borage tea, henna, and coffee to create her colors. These dried herbs and spices are steeped in hot water until they create the tones that the artist wishes to use. As Saya applies each color layer with Chinese brushes, a chemical interaction with the previous color layer occurs, creating further nuances of delicate tones. This process creates an element of uncertainty with all the possibilities of colors as they mix; yet the artist is in control as well. “Only at that moment am I able to achieve a particular color…all is continually changing, based on how and when I use each tone mixture. With practice I know what to expect, while I also love knowing next time it won’t be the same red or gold as the canvas or paper absorbs each application differently.” A primary element in this series is saffron, an ancient Iranian spice that comes from a gorgeous purple flower painstakingly propagated and harvested by hand, and only the morning it blooms. Like gold, saffron is precious; fragile, and known throughout history for its physical healing properties, it is the world’s costliest spice. After gently grinding the stigmas, Saya softly blows them across her painted surface, still moist with receptivity. Here her very breath has become part of the creative process, employing its power to create as well as document its fragile substance…it’s ephemeral essence. Flowing out from this supporting breath, the Saffron is free to momentarily soar and land wherever it will. As the artist through her breath marries the saffron and tea, the paper now bears witness to this moment of actual life as it is lived in the absolute present, and creates an intimate representation of her beingness.

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