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Poland
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8 x 10 in ($80)
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White ($80)
Cyprian Kamil Norwid,(24 September 1821 – 23 May 1883), was a nationally esteemed Polish poet, dramatist, painter, and sculptor. He was born in the Masovian village of Laskowo-Głuchy near Warsaw. One of his maternal ancestors was the Polish King John III Sobieski. Norwid is regarded as one of the second generation of romantics. He wrote many well-known poems including Fortepian Szopena ("Chopin's Piano"), Moja piosnka [II] ("My Song [II]") and Bema pamięci żałobny-rapsod (A Funeral Rhapsody in Memory of General Bem). Norwid led a tragic and often poverty-stricken life (once he had to live in a cemetery crypt). He experienced increasing health problems, unrequited love, harsh critical reviews, and increasing social isolation. He lived abroad most of his life, especially in London and, in Paris where he died. Norwid's original and non-conformist style was not appreciated in his lifetime and partially due to this fact, he was excluded from high society. His work was only rediscovered and appreciated by the Young Poland art movement of the late nineteenth and early twentieth century. He is now considered one of the four most important Polish Romantic poets. Other literary historians, however, consider this an oversimplification, and regard his style to be more characteristic of classicism and parnassianism.
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Poland
http://pawellyjak.blogspot.com/ PAWEŁ ŁYJAK (1983) A graduate of the Academy of Fine Arts in Cracow. He received a Diploma in Graphics (2008) from Prof. Henryk Ożoga’s studio. At present he is a doctoral student at the Jan Kochanowski University in Kielce. Paweł Łyjak’s creativity reaching for a variety of formal means of expression usually oscillates around the theme of the artist’s self which is constantly subjected to artistic vivisection. While making subsequent works the artist uses his intimate, often painful, experiences from the past which he confronts with today’s reality. From the apparently illogical memory chunks he builds multi-layer compositions in which particular areas of the views of the world are mixed together, on many occasions contradicting or excluding one another. Emotionally, the almost compulsive combinations of signs represent, first and foremost, an attempt to find a universal answer to a question about the sense of individual existence. In contrasts and paradoxes of forms and meanings Paweł Łyjak finds an opportunity to tell about everything which otherwise cannot be expressed.
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