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United Kingdom
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8 x 10 in ($40)
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White ($80)
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I feel that the process of making a painting is the process of discovering it, in the sense of forming a relationship and getting to know someone. This was a difficult piece - the development of the composition was quite convoluted and felt awkward at times, but as it progressed the various forms seemed to coalesce into two adjacent “compound forms” . The problem was - and is - that the emergent references were unconscious and unexpected; there’s a slightly anthropomorphic quality and comic humour. I can also see references to Marcel Duchamp's Large Glass - "The Bride stripped bare by her Bachelors Even" - his machine-like exposition of male and female desire, in the sense of “the bride’s domain” and “the bachelor apparatus” being two distinct areas of process. The final problem is I’m rather against Duchamp’s Cartesian conceptualism, which, as he defined jokingly and seriously, as anti art. I see this piece as a coming together of two compound processes, which is what we are as human beings.
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
I work in the still life painting tradition from brief, often precarious, arrangements of small, neutral or insignificant subject matter. I use observation, intuition, relationship, scale and metaphor to create a sense of clarity and space and give form to my sensibility. I regard form as concentrated space, process and phenomena and strive to create visual meditations that are layered, poetic and stop time. I draw on my interests outside art for inspiration - mainly music, yoga, meditation and Eastern thought, mainly Tao and Zen. I am particularly drawn to the increasing connections between Buddhist related thought and aspects of contemporary science, particularly physics and neuropsychology. I have also been very influenced by Iain McGilchrist's groundbreaking book "The Master and his Emissary", a Rosetta stone that connects and explains the two brain hemispheres, "the two cultures" and the philosophies of East and West. It reveals much of arts response to 20th/21st century Western society to be in fact, like its subject, Cartesian and dualistic. Please look at my blog for more written thoughts and observations. My work can be viewed by year via the Collections/view all/ tab
Artist featured by Saatchi Art in a collection
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