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Germany
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10 x 10 in ($40)
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White ($80)
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I am using techniques Gerhard Richter developed for his abstract paintings. I combine these with additional techniques of layering, ablation and scraping which create spontaneous and sometimes unintended shapes, structures and color mixes. Finished with UV protective varnish. I see a world where gay people can kiss openly and everyone feels happy for the loving couple. I see a world where kids are loved and taken care of by their parents and can thrive in their natural, self chosen infliction, passion and talents. I see a world where parents have the time and devotion to take care of their close circle of family members and friend because they are not fighting for basic supplies or compete for ever more luxury and wealth that wont make them happy. I see a world where we understand that there is enough for everyone on this planet if we share. We wont have to work hard because our machines do the hard work. I see a world where hippies, punks, homeless, spirituals, transgender and all kind of strangers in this society are appreciated for contributing great values of diversity, creativity and inspiration. Maybe you don't see all this - surely not in this painting - neither do I.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Germany
Thomas Ernst (* 1980) studied physics at the University of Regensburg (Oberpfalz). He works as a manager at SAP near Heidelberg (Kurpfalz). He is married to Anke Ernst and has two kids, Jakob and Marlene. While painting accompanied his whole life, Thomas Ernst decided around 2015 to concentrate more on his passion for art. My idea of painting and the things as they seem.. Abstract painting is about playing with ambiguity, with the vague and with chance. The creative mind tries to feel a fragile and quite subjective tension and beauty in the work. Various elements are available for this, such as colors, shapes and movement. Reduction and contrast. The format of the presentation – the possibility to rest your gaze on the long shot or to come closer and focus on details. The result is non-realistic, so there is nothing clear to see or every viewer can find something of his own in the picture and interpret it for himself. The lack of clarity and a certain degree of fuzziness is therefore wanted and necessary. For me, this type of perception corresponds to the nature of things, and our human understanding and remembering are also based on these principles. A realistic representation hardly leaves any questions unanswered. In art, alienation and creative play with the obvious allow access to something deeper and to the subconscious. Similarly, a deep look into the structure of real objects does not lead to more clarity. At the molecular and atomic level, we ultimately get blurring, as if there were a law of nature behind it all. It seems as if the simple path is blocked for us humans, as if clarity and knowledge are at best subjective. It is the art of the successful painting to find a representation that invites you to linger and allows, perhaps a quiet or powerful, but always a harmonious flow of thoughts and feelings.
Artist featured by Saatchi Art in a collection
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