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VIEW IN MY ROOM

Bench Awaiting Print

Eric Baronsky

Portugal

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About The Artwork

Just off the road, on my journey back from a failed painting exhibition near Montreux, Switzerland, I happened upon a seeing glass. After negotiating countless blind curves and hairpin turns, the drive had my lips beaten, nearly bloodied. At the tail end of the climb up and over the Gorges du Verdon, my right boot let go the accelerator. It wasn't so much the road's crest or the vertical drop that had unnerved me, but instead, the snips of memories and grated wishes that seemed to ride shot-gun as I ascended the Alps. The winding road jostled free memories, desires, angers, and regrets, those of the exhibition, the tiring transformations of career I had undergone, and of course the many affairs, despairs and repairs of heart. Sometimes she serpentined like a lady, dainty and discreet. Other times, like an amateur whore, rough and reluctant. At somewhere around 2000m, the nose of the road flipped downward. From then on, through the crack-opened window of my hand-painted red, white and black-trimmed camper, the rushing scent from the river below stretched my nostrils open wide and infused each passageway, every cavity of my lackluster lungs, with eons of stardust. What was I being hijacked, drugged, or seduced by? I surrendered to not knowing. A parking area to the right pulled me in. There, a naturally formed balcony, framed by mammoth sections of lumbering timber, overlooking the flow of ages, seemed to draw my hands off of the steering wheel. In slo-motion, it reeled me in like a naive fish. The wheels curled to a rest. They didn't make a crunching sound. Instead, over the deathless dirt and off the towering cliffs, their crawling roll was elegant, musical, hypnotic, respectful. As I exited, the hearty soup of haze parted to a downward path. The dozing light had me turned inward, hushed without a tongue to interrupt the grand yet oh so simple stage. Not even a faint notion of time or purpose was tempting enough to measure then. Fast and fleeting were my thoughts. The only thing that endured and elongated was my breathing. When I peered through the trees and along the descending path, I discovered a lone bench, facing a screen of white sky, in the middle of nowhere, and yet, waiting to take me everywhere. --- Technical specs: Original and Limited-editions are museum-quality, archival pigment prints on high-end fiber-based papers.They are shipped hand signed, numbered, titled and dated along with accompanying certificate of authenticity. This open-ended series offers more economical images that are printed and shipped unsigned, only from SaatchiArt.com. Thank you~ Baronsky

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 9 H x 0.1 D in

Size with Frame:17.25 W x 14.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The sky has become the greatest inspiration for my creations. It is the random quality of light-filled nature that draws me closer and closer to an understanding of how to live...of why we are. Eric ==== Eric Baronsky is of Ukrainian/Polish/French decent. He was born in Paris, France (1965), however, from the age of two he was raised by his single mother in Grenwich Village (New York City). In 1980 the two relocated to Hollywood, California. There, Baronsky attended high school and later university where he studied film production and music composition, with a minor in philosophy. His mother passed away shortly after receiving his Bachelor of Arts degree in 1986. This marked the beginning of his quest to travel the world in an attempt to better understand the universal nature of being. A couple of years later, he resettled in Los Angeles to pursue his earlier ambitions of filmmaking. There he worked up the industry ranks, eventually becoming a documentary / television commercial Producer and Director. In 1992, however, he returned to France, fueled with a renewed desire to rediscover his family roots and culture. Shortly after arriving he applied and was accepted at the Conservatoire National de Music in Strasbourg. There, he lived in a picturesque farmhouse along the Rhein River where he concentrated on studying the works of Wagner and Chopin. This period greatly influenced many of his original compositions and continues to do the same for his mostly landscape inspired, dream-like paintings and photography. Baronsky's psyche later shifted causing him to revisit the United States. An opportunity to start a design and production firm was presented to him during his stay and so the planned short trip evolved into a more significant venture. He took the chance in altering his professional music interest and proceeded to grow a highly successful, multi-national creative company that serviced the advertising and theme park industries. The jet-setting pace ended abruptly, however, when a nearly fatal scuba diving accident caused him to reflect on his life's path. In 2006, a sequence of other profound events caused him to take a sabbatical. During this introspective period he realized an inner need that was greater than achieving the proverbial "American Dream". In 2007 Baronsky returned to Paris.

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