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United Kingdom
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Fine Art Paper
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9 x 12 in ($100)
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White ($80)
A 35mm color negative film photograph, captured in London in 2022, is part of a triptych series. As an artist photographer, I continually seek novel approaches to the medium, employing the analogue camera as a canvas to craft my compositions. I am captivated by the transformative power of light, as evidenced in this specific work where the subject, a tree, transcends objective representation, evolving into a dynamic interplay of light, movement, and time. Nature, a perennial theme across various art forms, serves as a focal point in my exploration, delving into the profound allure it holds. These images, taken on a brisk summer day characterized by gusty winds, aspire to recreate the trees outside my residence, encapsulating both static moments and subtle movements. Drawing inspiration from musical compositions, particularly ambient and minimal genres, this work pays homage to the compositional techniques of Steve Reich, embracing repetitive figures, slow harmonic rhythm, and canons. An inherent fascination with analogue photography lies in its propensity for unexpected outcomes and errors, elements seamlessly integrated into my artistic inquiry. The allure of finding beauty in discarded elements is a central theme, wherein the chemicals involved in analogue photography assume a crucial role. Deliberately utilising initial frames to explore potential mistakes, the interplay of light burning the frame adds a layer of serendipity to the visual narrative.
Original Created:2022
Subjects:Nature
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
Italian artist based currently in London. Her artistic practice investigates and questions the persuasive power of the image and of the visual language. Her body of work incorporates intimate yet universal experiences such as loneliness, abandonment, fear for emotional nakedness and failure. In touching on these topics, she aims to create a collision between opposite languages: the unreal and the imaginary, the document and the oneiric, the personal memory and the collective, aiming to trigger reactions by invoking primal and visceral emotions. She employs the photographic medium to create visual access to the many different readings of existence. Her work often addresses elements of sexuality, mysticism, body language and nature, to create a tense narrative that provokes and relives at the same time.
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