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To Seaside Print

Ray Besserdin

Australia

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About The Artwork

A stroll in the Australian Royal Botanic Gardens, Cranbourne, part 3/3. Wandering north by east we pass a sculptured rockpool waterway, to landscapes characterised by ponds and rivers, home to water birds like the not so common Eurasian Coot. These waters are rimmed by contrasting arid landscapes dominated by tough Mallee flora over the rise called Howson Hill, festooned with flowers busily attended by all manner of insect pollinators. Strolling on to the northwest, the gardens transform into dry, sandy, coastal environs where only hardy bushes like Melaleuca bent by salt winds, tough little succulents and tiny flowers of bizarre structure like Goodenia survive. Here the iconic symbol of these three Australian Botanic Garden series, Xerochrysum brachiatum - the Paper Daisies - hold their ground around Seaside. Sculptured from Hahnemuhle (Germany) 300gsm cotton NOT, Arches (France) 310gsm cotton hot-pressed mould made papers and a variety of handmade Hemp, Flax and Kozo (Mulberry) papers from Awagami (Japan) and other Asian sources, some as light as 4gsm. Single colour ink tint and background wash. - Third Place, The 2022 ALL Landscape Winners, MIx Media and THree Dimensional Category online competition, Contemporary Art Gallery, Delaware, USA. - Merit Award | To Seaside | Yellow - Art online exhibition | Art Room Gallery | USA | 2022 - Merit Award - Botanicals Competition / Grey Cube Gallery USA 2021 - Silver Medal - Professional Artists Competition - Mondial Art Academia 2019| France - Second Place - Botanicals Exhibition - The Art Room Contemporary Gallery 2019

Details & Dimensions

Print:Giclee on Photo Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Internationally acclaimed Paper Sculpture Artist from Melbourne, Australia. Ray Besserdin, has established a 35-year career that is recognised internationally with extensive awards to date, including two gold from New York, and a “Gold Medal for Creativity” from Mondial Art Academia, France. Born to artist parents, Ray’s techniques are entirely self-taught. He sculptures artworks dimensionally much like bas-reliefs working with “a palette of sheet-formed papers” that offer a wide spectrum of colours, textures, solidity, and delicate translucency. The stocks are mostly mould-made or handmade cotton, mulberry (Kozo), hemp and flax stocks from Europe and Asia. Works range from miniature to over 6 by 3.8 metres and vary from abstract to ultra-realistic. Inspired by painters of the French Impressionist Period, Ray pioneered and developed a technique to achieve their kind of aesthetic expression using sculptured torn papers three-dimensionally, where they used paint two- dimensionally. This “Impressionist Sculptured Paper” is what he considers his signature style. Its focus is to capture emotion, life, and expression over realism using torn, raw pieces arranged into the likeness of the subject yet always revealing the character and nature of the papers from which the subjects are created. Nature is his favourite subject matter. Works hang in private and corporate collections in London, Monaco, Munich, Manhattan, Tokyo, New Zealand and throughout Australia. Ray is Australian Ambassador for Mondial Art Academia, France.

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