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Australia
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10 x 10 in ($100)
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White ($80)
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I often go to where I can be at one with nature. Nothing grounds and calms me the same way. More than ever in the recently stressed times I find myself needing to be surrounded by trees, flowers, birds, and the ever-present activities of small creatures like bees, butterflies, and dragonflies. I love to observe them, and their forms fascinate me. It inspired to create this piece in the pure natural shades of the handmade papers I use as my palette; papers made from fibres sourced from nature like the subject matter depicted. There’s an integral relationship between my medium and objects in the composition that helps preserve the connection with the natural world from which I draw such valuable peace and centering. We all need a little of tranquility. Sculptured from Hahnemuhle (Germany) 300gsm cotton NOT, Arches (France) 310gsm cotton hot-pressed mould made papers and a variety of handmade Hemp, Flax and Kozo (Mulberry) papers from Awagami (Japan) and other Asian sources, some as light as 4gsm. Box framed in distressed white limed Australian Tasmanian Oak with shatter proof acrylic glazing, ready to hang. • Bronze" at the Camelback Gallery's annual Invitation Only Open Theme Visual Arts Competition.2022, Gallerium Art Prize (GAP) • 2022 international online group exhibition, Canada
Print:Giclee on Photo Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Australia
Internationally acclaimed Paper Sculpture Artist from Melbourne, Australia. Ray Besserdin, has established a 35-year career that is recognised internationally with extensive awards to date, including two gold from New York, and a “Gold Medal for Creativity” from Mondial Art Academia, France. Born to artist parents, Ray’s techniques are entirely self-taught. He sculptures artworks dimensionally much like bas-reliefs working with “a palette of sheet-formed papers” that offer a wide spectrum of colours, textures, solidity, and delicate translucency. The stocks are mostly mould-made or handmade cotton, mulberry (Kozo), hemp and flax stocks from Europe and Asia. Works range from miniature to over 6 by 3.8 metres and vary from abstract to ultra-realistic. Inspired by painters of the French Impressionist Period, Ray pioneered and developed a technique to achieve their kind of aesthetic expression using sculptured torn papers three-dimensionally, where they used paint two- dimensionally. This “Impressionist Sculptured Paper” is what he considers his signature style. Its focus is to capture emotion, life, and expression over realism using torn, raw pieces arranged into the likeness of the subject yet always revealing the character and nature of the papers from which the subjects are created. Nature is his favourite subject matter. Works hang in private and corporate collections in London, Monaco, Munich, Manhattan, Tokyo, New Zealand and throughout Australia. Ray is Australian Ambassador for Mondial Art Academia, France.
Artist featured by Saatchi Art in a collection
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