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United Kingdom
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10 x 10 in ($80)
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Inspired by the winter nights and light of the solstice. A mediative work that gives hope during the darkest of times. 'Winter' is made using shibori technique on archival washi , the paper is then cut and mounted on archival bass wood individual triangles that make a whole. With one 24k gold leaf. My work is diverse but always closely linked to process and understanding of materials including their history and connection to culture.I work intuitively, currently I am exploring ancient method of organic sugar fermentation Indigo and the consequent resonance in historical culture. The fermentation vat is ‘alive’ ,cannot be hurried, the microbes need time to do the work and over time ‘feeding’ the vat is necessary to continue the process. Indigo is an extraordinary plant whose extract turns yellow/green when in water and blue when exposed to air. Indigo popular for more than 4000 years is still used . I think of the millions of blue jeans worn everyday. I studied indigo in Japan, the painstaking dyeing techniques of Shibori, folding,tying,wrapping and Roketsuzome a Japanese form of wax-resit dying. A ancient colour and a ancient universe is the perfect subject that captivates me.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
Exhibiting international and national award winning artist who practice also includes commission for commercial as well as private collectors. Creative artist making meaningful inspiriting poetic art to cherish.Indigo because it colours everything, all emotion, our fragile planet, our universe. Madder is the colour of open flesh, wounds and healing, love and heartbreak" Indigo, 6000 years of historical importance that continues to inspires me. I make my own non-toxic fermentation indigo vats using century old recipe, plant dyes and pigments from the Earth on washi, wool, silk, this contrasted with industrial materials- cast iron, steel, concrete, engages me in a dialogue that creates a deeper connectedness to being.The tension of light, ephemeral and heavy dark industry produces a emotional experience. I find the dust and grime ingrained surfaces, when the edges worn with layers of time, muted colours greyed into man made materials. The experience of being in a rivers current and looking up through the heavy deep grey black blue sky to a ray light reflecting back.
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